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	<title>
	Comments on: Botanical illustration tips on painting white flowers	</title>
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	<link>https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/</link>
	<description>Natural History Illustration - for books, magazines &#38; packaging</description>
	<lastBuildDate>Tue, 01 Feb 2022 08:29:09 +0000</lastBuildDate>
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		<title>
		By: Lizzie Harper		</title>
		<link>https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-6341</link>

		<dc:creator><![CDATA[Lizzie Harper]]></dc:creator>
		<pubDate>Tue, 01 Feb 2022 08:29:09 +0000</pubDate>
		<guid isPermaLink="false">https://lizzieharper.co.uk/?p=3253#comment-6341</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-6219&quot;&gt;Molly&lt;/a&gt;.

Hi Molly, I think that ability to transfer what you see to the page just comes with practice.  But I still get scared making the first mark on a white page.  Sometimes marking out the faintest of shapes as a guide (to be erased later) can help. both with the drawing and with the fear.  I keep meaning to try and do a film of the drawing process on my Youtube channnel; its just super tricky to film pale graphite.....  You could try various drawing excersizes like continuous line, blind contour, or not lifting the hand from the page.  All of these seem to free up the motor skills a bit.  But you&#039;re right to pinpoint the drawing as the hardest part.  The rest is, to some extent, just super-posh colouring-in!  Thanks for the comment.  x]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-6219">Molly</a>.</p>
<p>Hi Molly, I think that ability to transfer what you see to the page just comes with practice.  But I still get scared making the first mark on a white page.  Sometimes marking out the faintest of shapes as a guide (to be erased later) can help. both with the drawing and with the fear.  I keep meaning to try and do a film of the drawing process on my Youtube channnel; its just super tricky to film pale graphite&#8230;..  You could try various drawing excersizes like continuous line, blind contour, or not lifting the hand from the page.  All of these seem to free up the motor skills a bit.  But you&#8217;re right to pinpoint the drawing as the hardest part.  The rest is, to some extent, just super-posh colouring-in!  Thanks for the comment.  x</p>
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		<item>
		<title>
		By: Molly		</title>
		<link>https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-6219</link>

		<dc:creator><![CDATA[Molly]]></dc:creator>
		<pubDate>Thu, 27 Jan 2022 15:19:34 +0000</pubDate>
		<guid isPermaLink="false">https://lizzieharper.co.uk/?p=3253#comment-6219</guid>

					<description><![CDATA[Dear Lizzie

I love the way you can draw your subject so easily, this is where I have trouble, I am self taught mostly botanical,  I have traced but like to draw but find it difficult]]></description>
			<content:encoded><![CDATA[<p>Dear Lizzie</p>
<p>I love the way you can draw your subject so easily, this is where I have trouble, I am self taught mostly botanical,  I have traced but like to draw but find it difficult</p>
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		<item>
		<title>
		By: Lizzie Harper		</title>
		<link>https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-3808</link>

		<dc:creator><![CDATA[Lizzie Harper]]></dc:creator>
		<pubDate>Fri, 21 May 2021 16:57:04 +0000</pubDate>
		<guid isPermaLink="false">https://lizzieharper.co.uk/?p=3253#comment-3808</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-3803&quot;&gt;Linnea&lt;/a&gt;.

Hi Linnea, oh I&#039;m so glad to hear it.  Thankyou! x]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-3803">Linnea</a>.</p>
<p>Hi Linnea, oh I&#8217;m so glad to hear it.  Thankyou! x</p>
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		<item>
		<title>
		By: Linnea		</title>
		<link>https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-3803</link>

		<dc:creator><![CDATA[Linnea]]></dc:creator>
		<pubDate>Thu, 20 May 2021 12:46:30 +0000</pubDate>
		<guid isPermaLink="false">https://lizzieharper.co.uk/?p=3253#comment-3803</guid>

					<description><![CDATA[Very well done, so enjoyed watching your work.]]></description>
			<content:encoded><![CDATA[<p>Very well done, so enjoyed watching your work.</p>
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		<item>
		<title>
		By: Lizzie Harper		</title>
		<link>https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-3431</link>

		<dc:creator><![CDATA[Lizzie Harper]]></dc:creator>
		<pubDate>Thu, 04 Mar 2021 11:08:23 +0000</pubDate>
		<guid isPermaLink="false">https://lizzieharper.co.uk/?p=3253#comment-3431</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-3419&quot;&gt;waymire&lt;/a&gt;.

Oh yes, getting whites right from photo ref is a nightmare, I agree entirely. That&#039;s a great tip, the diluting of the shadow colour.  Sometimes I wish I had a &quot;colour picker&quot; tool for real life, like they do in photoshop, especially when it comes to ascertaining the precise hue of a shadow.  With whites, indeed they almost always do have some colour.  The trick is to keep it clean, that&#039;s where I sometimes mess up.  I get too involved in the minute colours on the petal and before you know it the whole flower looks grubby.  I guess less is more. The echoing of the shadow is a lovely tip, I&#039;ll remember to try that one.  Thanks!]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-3419">waymire</a>.</p>
<p>Oh yes, getting whites right from photo ref is a nightmare, I agree entirely. That&#8217;s a great tip, the diluting of the shadow colour.  Sometimes I wish I had a &#8220;colour picker&#8221; tool for real life, like they do in photoshop, especially when it comes to ascertaining the precise hue of a shadow.  With whites, indeed they almost always do have some colour.  The trick is to keep it clean, that&#8217;s where I sometimes mess up.  I get too involved in the minute colours on the petal and before you know it the whole flower looks grubby.  I guess less is more. The echoing of the shadow is a lovely tip, I&#8217;ll remember to try that one.  Thanks!</p>
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		<item>
		<title>
		By: waymire		</title>
		<link>https://lizzieharper.co.uk/2013/02/botanical-illustration-tips-on-painting-white-flowers/#comment-3419</link>

		<dc:creator><![CDATA[waymire]]></dc:creator>
		<pubDate>Thu, 04 Mar 2021 09:18:23 +0000</pubDate>
		<guid isPermaLink="false">https://lizzieharper.co.uk/?p=3253#comment-3419</guid>

					<description><![CDATA[This is an area where having the specimen makes a ton of difference. I find if I put a white object physically on bright white paper (perhaps not actually watercolor paper depending on the brand, some are quite off white) and really look it almost always either has a color, or reflects a color. Sometimes it helps to close your eyes for a minute and then look again. Push comes to shove and looking at the cast shadow for color then diluting that will allow the barest of outline while still looking natural.]]></description>
			<content:encoded><![CDATA[<p>This is an area where having the specimen makes a ton of difference. I find if I put a white object physically on bright white paper (perhaps not actually watercolor paper depending on the brand, some are quite off white) and really look it almost always either has a color, or reflects a color. Sometimes it helps to close your eyes for a minute and then look again. Push comes to shove and looking at the cast shadow for color then diluting that will allow the barest of outline while still looking natural.</p>
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